REVIEWS

”Yu-Wei Hu makes her flute sing in the aria-like movements…and her rippling ornamentations flow effortlessly…. It’s great to hear this delightful music receiving such strong and dedicated performances from Flauguissimo and friends….” 

- Nick Boston, Nick’s Classical Notes, 2023

“Perfect…” 

- Andrew Connal, The Latest, 2023

“…performed with sensitivity, grace and charm.”

- Andy Tylor, Lynn News, 2023

“Emily Atkinson, who has a lovely voice, and delivers stylish performances, with some fine ornamentation. The instrumental parts also receive splendid performances. Yu-Wei Hu’s play is differentiated, dynamically as well as in colour and tempo…. Löfving’s realisation of the bass part is spot-on…. a perfect case for a relatively little-known master.” 

- Johan Van Veen, Music Web International, 2023

“...With magical playing from (Johan) Löfving, the salon atmosphere created could be coming from the pages of Thackeray’s Vanity Fair itself....This album is a joy to listen to from start to finish.” 

- TP, Classical Guitar Magazine, 2019

“...exquisite musicianship and charming presentation. The audience was captivated and full of praise for a delightful evening.”  

- Susan Goldsbrough, Artist Director, Rippon International Festival 2019

“Pure charm.” 

- This is classical guitar, 2019

“...a sublime musical experience.... excellent arrangements and virtuosic period guitar solos....”

- Bradford Werner, This is Classical Guitar, 2019

“An engagingly intimate programme for the salon, combining lyricism, melody and virtuosity in a way designed for more personal listening.”

- Robert Hugill, Planet Hugill, 2019

"...a fine sensitivity to the style of the period with its subtle use of flexible tempos and rhetorical gestures."

- Andrew Benson-Wilson, Early Music Reviews, 2019